Related: Even Elton John Hated The New 'Lion King' Boldly Go! įor more from ATB, check out 5 Tribute Albums that Don't Realize How Insulting They Are and 4 Difficult Jobs Everyone Secretly Thinks They'd Be Good At.Īre you on reddit? Check it: We are too! Click on over to our best of Cracked subreddit. You'll find it.įor more from Adam, follow him on Twitter. Still, why is System of a Down music even happening?Īgain, almost every single minute of this is pretty great, but if you really want to focus on one great moment, make it that point when the dude from System of a Down and Elton John hit the high harmonies. Is that band singing about something that would bother me? Nah, I barely know they exist. Now that it's been sexed with an Elton John song, I'm fully aware that, at the end of the day, the music was really the problem. They also add perspective to the now much-debated question about whether pop will eat itself: mashups move forward by reinventing the past, finding the new in the old, and announcing it with gusto and irony.See, what I initially hated about that System of a Down song was everything. Mashups contest traditional notions of creativity and copyright ownership. As a point of departure, it analyzes “Psychosocial Baby” (2011), in which Isosine blends Slipknot’s “Psychosocial” with Justin Bieber’s “Baby.” It argues that it is the experiential doubling of the music as simultaneously congruent (it sounds like a virtual band performing together) and incongruent (it parodically subverts socially established conventions) that produces the richness in meaning and paradoxical effects of successful mashups. This chapter explores theorizing the musical mashup and its aesthetics, and argues it is necessary to rethink authorship in the context of its production, which arguably involves both a creative and an interpretive act of appropriation.
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